When you're out of the blue and into the black
好久没有尝试写华文,觉得自己好像不太懂得怎么表达自己。可是我一向来都喜欢在电脑或手机输入华文字。越写越过瘾!而且,华文字体非常整齐,每一个字占据的位子都是一样的。所谓chinese characters,华文字体看起来果然很有特色!
好久没有尝试写华文,觉得自己好像不太懂得怎么表达自己。可是我一向来都喜欢在电脑或手机输入华文字。越写越过瘾!而且,华文字体非常整齐,每一个字占据的位子都是一样的。所谓chinese characters,华文字体看起来果然很有特色!
Watched Here, and wished the fictitious Island Hospital was for real. Looked like a wonderful sanctuary, and if I were there, I wouldn't wanna be out here. Some of the patients choose not to leave, citing reasons like they can't be "out here", or "amor fati", which translates to love of fate, not wanting to change a thing about the state they are in. The hospital also uses a form of video therapy to help patients revisit their breaking point to explore an alternative way to react. As my favourite character Valentino points out, life can only be understood backwards, yet it has to be lived forward. Great use of sound in the movie (George Chua), and a beautiful song by 刘文正, 我找到自己 (I've found myself) at the end.
At a field, a white rabbit with orange patches caught my eye. It was so pretty! I'd not seen a rabbit like this before, and wanted to take a picture of it. But as I prepared my camera, the rabbit went into a hole. It soon reappeared but quickly made its way to the middle of the field, away from me. Not contented, I looked at the clouds above and tried to find an interesting spot to take a picture of, but it was not the same. Clouds are always above us, lovely as they are, but you only see a rabbit like this once.
What if I was like The Man From Earth? But better, to stay put at 25 instead of 35. The Girl From Earth! Hmm...
Mrs Robinson says (11:52):
Finally had time to think about the year that went by. Among the many things I failed to keep track of, here's something I actually did.
Abdominal angina is a condition that follows the first definition in that the sufferer typically has attacks of abdominal pain. This is not the stomach ache that all of us have suffered from occasionally. It is a dull, gnawing or cramping pain typically felt in the upper or middle portions of the abdomen. The pain usually begins 10 to 30 min after eating, and gradually increases until it reaches a plateau and then slowly decreases over one to three hours. As the condition worsens, the pain increases in frequency and severity so that the patient progressively reduces meal size and/or avoids eating. As a consequence, the person loses weight.
I could have expected too much from the Death Cab gig. It wasn't bad, but it wasn't awesome either, like how concerts ought to be. Despite a nice entrance (with chants and stuff), they didn't begin their set with strong tracks. (If i remember correctly they opened with Bixby Canyon Bridge) I think it was only after the third song that they addressed the audience properly. Ben Gibbard went something like "Hello Singapore. We're Death Cab For Cutie from Seattle, Washington," and everyone broke into applause and cheers. Can't remember what else was said but it wasn't anything memorable. At some point later he also announced that they had a new album called Narrow Stairs. I wished they would stop stating the obvious, and just be a bit funnier. He asked the people "Do you like love songs? Here's a love song, for you", before breaking into I Will Follow You Into The Dark. Have to say i found that kinda cheesy. What a nice, supportive crowd though, screaming and singing along. Some people were dancing, even to slow songs. They did not play Death Of An Interior Decorator, but included many other mandatory songs in their set, such as Title And Registration, The New Year (which i don't like), The Sound Of Settling, Expo '86, Tiny Vessels and Transatlanticism. They played quite a bit off Narrow Stairs. I Will Possess Your Heart was perfect showoff time for the bassist. They played Cath... No Sunlight and Long Division too. I especially enjoyed it when they played Grapevine Fires (my favourite track there). It was enjoyable enough, just that it lacked an element of surprise. Many times they played songs from the same album one after another, and Transatlanticism actually came right after Tiny Vessels, just like on the album. And their delivery was not very different from what you can hear on your ipod. Didn't feel it was worth paying $111 for. $58 would have felt just right.
I found out there was a team at the Museum Heritage Quest by the name of WHY SO SERIOUS. Hahaha!
On Friday, we took part in the Flight Of The Night Owl Heritage Quest at the museum. Pong, Fiona, Mel, Kent and me. Mel thought up our group name - The Running Jellylegs. How appropriate. Must say it was a lot of fun racing through all the museums and darting across roads to get from National History Museum to the Singapore Art Museum to some old gates of RGS that are now at some part of SMU (never paid those gates any attention) to the Hill Street Fire Station to the stamps museum to the Asian Civilisations Museum to the Peranakan Museum to the Lim Bo Seng War Memorial Site to some cats on the bridge near Fullerton to St Andrew's Cathedral to CHIJMES and back to where we started. Somewhere in between we had to go to MICA and then to River Valley Road and throw muddy bean bags at another team while trying not to get hit. A lot of teams were very hardcore. They dressed in sports attire and even brought maps. Hahaha. Haven't been so healthy on a Friday night since fuck knows when. Muscles i forgot i had are still aching.
Lee Kang Sheng is back with his second directorial effort, "Help Me Eros", after blowing minds with "Bu Jian" (aka "The Missing") in 2003. This time, he plays the lead again (giving it an even more Tsai Ming Liang feel). Not surprisingly, "Help Me Eros" is made in that distinct style that people have come to know Tsai and Lee for - subdued, grim, with minimal dialogue and plenty of sex.